I’ll Sleep Inside a River if You Don’t Want my Hand

Mkiluani House was named for the old mkilua tree that stood in the middle of the yard. Its tough flowers, curled like alien hands, smelled of some rich fruit soaked in lemon sugar. Around the tree, a frothing garden; beyond, the coral stairs and landings that led to the high roof; and, between all that and the street, a heavy wooden door. Helge had loved this house from the first, and she loved it still, though her husbands, both Belungi-born and bred (so she had spoken the shahada with a softened open heart and a clean sense of surrender) were no longer there. The house is mine, she often told herself, though husbands come and go. And at least, for now, Helge’s daughter, Nuru, was coming back for Christmas.
For Christmas Eve, Nuru would bring the one thing Helge really missed, marzipan, which would melt along the way but still taste like itself, and they’d exchange small gifts over sweet wine as bats flickered in the thatch. In the morning, they’d stroll down to the women’s beach and kick sand at each other, then sigh and swim into the quiet, pleased as always at the stillness of the bay before the men arrived. Helge was a little lonesome in Belungi now, but knowing Nuru would be there made her heart feel light.

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The Collected Tricks of Houdini

Hannibal now goes to church, the old patrons in the palm wine bar opposite the town hall knew, yet they were surprised when they looked out and saw Hannibal stepping out of a bus with other members of his church, shouting in tongues along with his fellow congregants and raining damnation on the heads of the latter-day Philistines who organised the New Masquerade Festival.

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Dead Rats

It smells of death.
It smells of death in my car.
It smells of rotting dead rats.
My old car is putrid with the smell of dead rats.
They decompose slowly, slowly somewhere in the body of my car.
The stench cloys, hangs on the air, moist, ripe.
I see them in my mind, six-day-old rat carcasses oozing secretions;
Dead flesh wriggles with hundreds of white maggots gorging on dilapidated flesh.
I cannot ignore the smell; it unsettles my mind.

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Who Will Tell This Story

Abiloye

“Aferi Nana!” my grandmother sighed as she welcomed the soothing fresh breeze named after Nana, the first Itsekiri celebrity to settle in Koko and the last British-appointed Governor of the Benin River.
We lay on a king-size mattress, under the stars of Ogiame, surrounded by the waves of Umale-Okun, the birdsongs at night and the scents of flowers from the trees of Ipi. One of my sleepwalking legs was tied to a wrapper attached to my grandmother’s leg as she narrated my favourite bedtime story: the true story of my birth and resettlement.

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Yellow and a Funeral

Vanilla looks like a one-toothed tokoloshe. Koki knows this because it slips out of her dreams from behind her eyelids and into the recycled air tainted with, among other things, the remnants of would-you-like-chicken-or-vegetarian-miss? It curls upwards, tugging at the hairs in her nose, blocking her ears, prying her eyes open, sinking its single canine into her right cheek. Always vegetarian, because the first time she met Aviwe – the only person she knew who would sing an opera to help her insert a tampon – she told Koki the entire university delegation, herself included, had shit their pants for the entirety of their entire time in Beijing because of the chicken they had eaten on the way there. Koki had watched her neck muscles tauten with expression, laughed at the particularly gross bits, and then they had fed off each other’s company after that.

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Sub Migratio

“I’m cold.”
“Quiet.”
“How long?”
“Another five minutes, so get some rest while you can, Josh.”
The only other sound in the pitch-blackness came as he folded his arms and nestled his numb fingers into his armpits. He could feel his bones, his entire skeleton, infused with the cold of the concrete, as he lay flattened, taut with anticipation, and eyes staring up at nothingness.

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