Introduction to Issue II

In her introduction to the first issue of A Public Space, Brigid Hughes expresses the hope that, “the magazine will be an ongoing conversation between writers, editors, and readers.” A magazine is not simply a collection of words whipped together and presented to its publics. Rather, a magazine is a living thing: a dialogue, a dance, a game, an experience shared between its conveyors and its receivers. And it is with this in mind that we present our second issue to you, our community of readers and supporters. We ask that you think of it as more than a mix of the words and thoughts and creative products of the few writers and poets and editors and artists featured here, but as the product of an ongoing engagement between all of us—  readers and editors and writers and poets and artists—  who make up Enkare Review.

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A Sense of Where We Are, an introduction

 

© 2017, Pearl Kimemiah

A Sense of Where We Are’ is a series of brief notes and reflections from people in and close to the Enkare family about the 2017 elections in Kenya. When reading these notes, we ask you for two things: i) attention and ii) expansiveness. If prayer is ‘unmixed attention,’ then pray about what it means to be Kenyan today; pray about the lives that have been stolen; pray about the dreams have been deferred to build this nation, and the spirit in which it was done; pray about the promises made to our grandparents; and pray about the hopes, shared and private, that we hold in our hearts. Pay attention. This is our true and proper work. Come to these reflections with large-heartedness, with a willingness to stretch for your fellow humans, with trust that all life is worth preserving, and that the work required to do so is also worth the investment.

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An Introduction to Issue I

In July 2016, a bunch of twenty-something-year-olds sat down in a cafe on Koinange Lane in Nairobi and decided to set up a literary magazine. They had no idea of the amount of time, energy and dedication it takes to run a literary magazine. All they knew is that they wanted to create a space that would allow both emerging and established writers to converge and have narratives that converse with one another.

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