Kisauni

Ngala Chome

I must have been nine years old when I first heard my mother scoff with derisive laughter at my inability to speak Kigiriama fluently. Warning me and my brother, she said that a marauding gang of strangers had appeared on the streets of Mombasa, and that it was going around at night carrying pangas and randomly knocking on people’s doors to find out whether they could speak Kigiriama, or one of the other Mijikenda languages. With a grin, she added that the gang would force people to open their doors and greet them in one of the Mijikenda languages. Violence, she emphasized, would instantly be dispensed at those who gave incorrect responses.

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How could nourishing African art spheres work? Call for Submissions

Enkare Review

As a small, largely informal, artist collective, it would be easy to say we’re too busy working, too busy creating, too busy staying afloat to engage in a deliberate or consistent manner with any Big Issues™ that are not Art as such. We could say that, in fact, it really isn’t our place. We could suggest that we should act ‘neutral’, and stay silent. That would not only be foolish, it would also be false. It would be untrue to our proper work as artists, curators, and citizens. In various ways, we participate individually in large and small battles against these Big Issues. However, we are still working out how that fight and commitment is best translated in our work as a collective.

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Brief Notes on Poems, Anti-poems, Sub-poems and Poem-like Things

for Enkare Review’s Poetry Squad

As Enkare Review, we have been working through some growing pains, and it is a mark of pride that we have still prioritized working closely with the artists we feature whenever possible. One challenge we are looking to overcome is that we haven’t made as much work as a collective. We are already changing this (look out for more work from us!). Another is that we haven’t provided enough feedback to the entries we do not proceed with. The submissions are, thankfully, very many, and we are a small (unpaid) family. That said, we are grateful for all the kind and overworked* editors who have provided us (sometimes detailed) notes over the years, and as our team grows, we hope to evolve into those rare breeds.

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