By Kọ́lá Túbọ̀sún
“Context: The circumstances that form the setting for an event, statement, or idea, and in terms of which it can be fully understood and assessed.”
– Oxford English Dictionary
In the early twenties, Professor Ivor A. Richards, in search of a new way to teach the assessment and appreciation of poetry, came up with an idea that seems commonplace now, but at the time was interesting enough to challenge existing conventions. What he did, an experiment he detailed in his book Practical Criticisms (1929), was to distribute to his students, poems written by a wide range of people from ancient masters to modern practitioners, from Shakespeare to a random poet in the reigning literary magazine, without the names of the authors printed on the pages of the poems.
Michael Onsando is a jazz writer, and co-founder of Brainstorm Kenya. Some of his work is available on his site, Unlike Myself. Enkare Review has previously published Onsando’s A Movement on Loneliness. Alexis Teyie, Enkare Review’s poetry editor, met with Michael on a quiet Sunday in February to talk about his most recent work published with Enkare Review, The Making of a Canon, his creative philosophy, and quite a few things in between.
by Abdul Adan
One afternoon, three young people were sitting around a table at Khalfan’s restaurant in downtown Mombasa. Their gestures and murmurs were like those of disloyal soldiers plotting a mutiny. The trio was comprised of Khalid Bawazir, his cousin Ayaan and her forbidden fiancé James Karangi, aka Mohamed.
by Michelle Angwenyi
dans la maladie
I came across it in my dreams and I woke up singing the French for it – dans la maladie, dans la maladie.
A meshwork of metal
Inside the disease
Becoming an illness.
I saw it the next day and it was
All over the place, in pieces.
It must have taken more than strength to pry my eyes open and
collect them, and once there, put it together again, paint it
tell it to relax, try not to kill me.